Friday 25 October 2013

UGLY IS BEAUTIFUL










THE VERDE WORD


I contend that there is no such thing as ugly.

Lao Tsu says that in our world, there are 10,000 things.  Regardless of how many things there are either in our world or universe, all things and their components are, have been and will continue to be beautiful since the beginning of the cosmos and thereafter.

From the viewpoint of the creationist, evolutionist, big-bangist or whatever we believe about the origin of our universe, it is obvious that life as we know it came from somewhere.  That somewhere, whether it was a an atom, neutron, proton electron, sub-atomic particle or a quark then became matter.  Whether it be dark, gray, black or pink matter formed from matter-less energy, it is totally unrealistic that the source or creator, through science or whatever, would make something ugly.  

Human intellect nor language was not in existence at the time of creation because there was only one super-intelligent and that super-intelligent is not human as it is the source or creator.  So, there was no such thing as concepts let alone ugly or beautiful.

From a human perspective, language, tautology and ideology did not exist at the beginning of life because simply, humans did not exist.  Therefore, at the time of pre-human existence in science and nature ‘ugly’ did not exist either.

After the appearance of humans during the continual evolutionary process, intellectual properties facilitated the evaluation of senses and, emotional feelings developed in humans.  Following, the minds of those early humans were capable of an early from of logic and the concept of ugly and beautiful formed.

Although many times over it has been said that ‘beauty is in the eye of the beholder’ meaning that a picture can be different from one person to the next, it is subjective to individual personal likes and dislikes.

If others do not see beauty this does not mean that that ‘something’ is viewed as anything less than desirable.  Sure, something may not be to our personal taste although it could be viewed favourably to others.  Perhaps it could be viewed as not being ‘as beautiful’ as the other but it is definitely not ugly.

In Taoism and other philosophies there are dichotomies or, opposites such as Ying and Yang but I see one exception.  That exception is ugly and beautiful.  I argue using the point that in various interpretations of faith or religious texts it says that when the world was created, all was beautiful.  Therefore, nothing created was ugly.  So, ugly and beautiful are not in opposition.

In our enlightened world, we know there are opposites such as black being opposite to white, hot cold, happy sad, energetic tired, asleep awake, dead alive, flat round, fat skinny, wet dry etc. are opposites. However, when you look at these terms, they are used to describe things (black, white etc.), reflect human conditions (happy, sad etc.) or natural situations (dead, alive etc.) and ugly and beautiful are neither human conditions nor natural situations however, it can subjectively describe things. 

Generally, I believe the terms ugly and beautiful are often used to evaluate, criticise, judge and measure against each other and this judging or measuring is neither encouraging or helpful as they are often attempts to discredit, destroy or damage or hurt an individual in some way.  
You may be thinking, ‘Ah ha...but what if you are performing a critique?’

Well my friends, as I mentioned in my last blog ‘Criticism and Schism’ a ‘Critique’ is used to perform an evaluation of material in a scientific manner.  Thus, only hard data and statistics is used, not judgemental terms such as ‘ugly’ and ‘beautiful’.

Not everything has an opposite.  After lengthy consideration, the only thing I can think of without an opposite is the source or creator of our universe.  Is there an opposite of the creator being a ‘de-creator’, ‘non-source’ or a ‘non-god’?  No, they simply do not exist.  In that case, I pontificate that it is unnecessary to have a negative word exist that does not promote positivity and that word is ‘ugly’.

It is my belief that what others consider to be ugly can indeed be beautiful to varying degrees and although there may be varying degrees of beauty, as I wrote in the previous blog ‘Being Framed’ the picture of what is seen changes according to its’ environment and the viewer.

How we view things can deliberately be changed to view those things differently.  If we change the way we view things, those things will change to fit our mental picture.  Thus, we will see things in a different light or viewpoint.

Wayne Dyer said ‘When we change the way we look at things, the things we look at change.’  If you examine things and see them as being beautiful, so they will be.  What you think and feel will be, your mind is in control and can influence outcomes.

Below, for your piscatorial pleasure are some photos of fish.  From a human perspective, what are you feelings as you look at them?  Do you see beauty?  Alternatively, from the perspective of other fish of the same species, do you think they would consider these fish to be beautiful?  As I say, view them from a different perspective and seriously consider, are these fish ugly or beautiful in their own way?


Figure 1





I see this fish with a human face that appears sad.  Perhaps the fish is considering the inevitability of never seeing home again.  I see kindness and softness. I feel warmth and compassion for this fish.  I see no ugliness, I see beauty.



Figure 2.




I see this fish as displaying the human quality of unhappiness while also looking rather annoyed. There is anger in the eyes and my human thoughts are him thinking, ‘Ok, I’ve had enough, don’t mess with me anymore!’ Again, I do not see ugliness.



Figure 3.




Oh, it can be such a struggle sometimes getting out of the pool sometimes!  I am unsure if it is fish or amphibian or maybe a fish on steroids preparing for the Fisholympics or should that be the Amphibolympics?  However, credit must be given for making the effort to get that body out of the pool. This fish is exactly how it was designed to be.


All of the photos exhibit the fish exactly how they were meant to be.  They are all very different yet beautiful in their own various ways and this is the same with all living things.

No matter what continent, country or culture we come from or our afflictions, behaviour, likes, loves, needs and desires, we are all how we are supposed to be as we continue along our evolutionary path and guess what friends, we are all beautiful.

We may be battered, old, worn out, pale or dark skinned, fat, thin, skinny legs, deaf, blonde, bald, short, tall, hairy or hairless, and have varying personalities.  We might have one leg, two heads, no arms, blind, deaf, smart, silly, do stupid things, but, we are all beautiful. This is how we are, and will continue to be, absolutely beautiful.

The source or creator developed everything from nothing which formed into energy matter. Thus if something is formed from energy matter, our world was constructed with a perfect and immaculate design, all is beautifully. 

In conclusion, there is no such thing as ugly because all living things were designed and made to be how they are.  We came from nothing and turned into many different something/s and this adds to the beauty of how we are as humans while our differences help to make our lives fuller and more interesting.

Again, to quote Wayne Dyer; ‘When we change the way we look at things, the things we look at change’.

Everything is Everywhere, Everywhere is Beauty.
Verde



Thursday 17 October 2013

SHAPING LANGUAGE








THE VERDE WORD


There are over 6,000 different languages in the world and many more dialects.  So within these languages and dialects, how we communicate within and outside our varied cultures is important. 

All languages, their words, expressions and accents are very interesting.  Stop and listen, really listen.  By really listening to people speaking French, Russian, Italian, German, Spanish, Mandarin, Arabic, Swahili, English or whatever language, you will hear that they all have their own very unique ‘sound’.

Languages all sound beautiful in their different ways.  We may not understand what is being said, but it all sounds absolutely beautiful and the beauty is in the sounds, the flow and the music of the words.

What is even more interesting is that a great number of languages are similar in their construction.  Writing and speech in all languages use an alphabet and the construction of words and sentences can be similar to English but written in various forms.  Cyrillic lettering originated between 900 and 1000 CE (Common Era) in Slavic countries such as Russia, the Ukraine, Serbia and, Bulgaria. 

An example of Cyrillic letters may be seen on the Encyclopaedia Britannica website at:  http://media-3.web.britannica.com/eb-media/20/72220-035-64D68566.jpg

Cuneiform lettering originated between 3000 and 4000 BCE (Before Common Era) in the Middle East.  And at the earlier stage it was a combination of letters and pictures.

Figure 1 from the West Semitic Research at the University of Southern California Archaeological Research Collection*, depicts a cuneiform and picture tablet that is a business document with a personal/business seal in the centre. 

Figure 1.




Cuneiform tablet from the Middle East.
*Photograph by Kai Quinlan.


As you know, the alphabet and style of writing today has a long history and an interesting path.  Today’s alphabet used in English and non-English language speaking countries is not too distant from the alphabet developed over many centuries.

Below, in Table 1, the alphabetical list of letters and the corresponding letters in Chinese and French are paralleled to show the similarities in writing and sound.

                                                    Chinese                 French

A
ēi
ɑ
B
bǐ
C
西
D
E
e
F
艾弗
ài fú
effe
G
H
艾尺
ài chǐ
aash
I
Ài
i
J
jié
ji
K
kāi
ka
L
艾勒
ài lè
elle
M
ài mǎ
emme
N
艾娜
ài nà
enne
O
ó
o
P
Q
吉吾
jí wú
qu
R
艾儿
ài ér
erre
S
ài sī
esse
T
U
伊吾
yī wú
u
V
wéi
W
贝尔维
dòu bèi ěr wéi
double vé
X
艾克斯
yī kè sī
ixe
Y
吾艾
wú ài
i grec
Z
zéi dé
zède


Table 1.
The picture writing in the column second from the left are called logograms.  In China the style is called Hanzi and in Japan it is called Kanji.

If you experiment with the above alphabet table in Chinese and French, you will find that those sounds are not so different.  Additionally, it demonstrates how we sound-shape the letters that create the sound of the language.
Within the use of language, there is also the way we shape the language itself.  That is, the words we use and how we use vowels and consonants.  We also use accents, tone, volume, colour, flow and the different emotions when we speak.  Following, the sound and flow of our words and sentences help to make language more colourful. 

The shaping of our words and sentences when we speak can make a difference to how our individual and personal character, background and education is understood regardless what language or dialect is being used.

Verbal language is a necessary skill to enable effective communication. However, there are a few obvious considerations
when speaking to others of different nationalities.  Some of those considerations are speaking the same language as your listener and naturally using accents.  What we say, how we say it and the words we choose to use are all important in order to ensure the correct message is clearly understood.

The alphabetical letters we use to form words help accent the sound of the word. The words we use to form sentences help our sentences flow.

When a word is spoken, I can hear the letters in that word determining whether the word sounds soft or hard.  For example, when angry at someone, words with the letters, ‘k’,’ t’ and combinations such as ‘sh’ and sometimes ‘ck’ can sound harsh.

To better explain, let’s examine the English language alphabet.

The letters being:

A, B, C, D, E, F, G, H, I, J, K, L, M, N, O, P, Q, R, S, T, U, V, W, X, Y and Z.

These letters have different sounds and degrees of firmness of sound when said aloud.

Within the English alphabet there are only five vowels:  A, E, I, O, U.
They too have different sounds and degrees of firmness of sound when said aloud.

The consonants below are listed according to their firmness of sound.  That is, they are in order from gentleness to the hardness of sound.  The gentle sounding letters are at the top and the hard sounding letters are at the bottom.  This is the same for the vowels.
  
     CONSONANTS                                         VOWELS
                                         
1st
H
Gentle Sound
2nd
F
3rd
V
4th
R
5th
L
6th
P
7th
M
8th
N
9th
W
10th
D
11th
B
12th
Y
13th
G
14th
Q
15th
J
16th
C
17th
S
18th
T
19th
K
20th
Z
21st
X
Hard Sound


1st
I
Gentle Sound
2nd
E
3rd
A
4th
O
5th
U
Hard Sound


























So, if we take the top 10 consonants and the top two vowels ‘i’ and ‘e’ the words we can make sound gentle, beautiful and soft.

For example: river, hive, plier, prime, view, relive, flier, mine.

At the other end of the scale and we take the bottom 11 consonants and the two vowels ‘o’ and ‘u’.  Sitting in the middle is the vowel ‘a’.

These words have a harder sound.

For example:  zot, jut, kick, tick, jag, bog, tack, xray.

I acknowledge that many words may sound either hard or soft and this depends on other letters within words and voicing.

Voicing is using the vocal chords for speech and the opposite is voiceless or being unvoiced.  Being voiceless does not mean the voice is silent rather, it is using the throat to make sounds.

Experiment, say the letter ‘zzzzzzz’ out loud while holding your throat.  The vibration you feel is your vocal chords ‘voicing’.  On the other hand, if you say the letter ‘sssssss’ out loud while holding your throat, you will not feel any vibration. This lack of vibration is called ‘voiceless’ or ‘unvoiced’.

An example of the Inuit style of throat singing (unvoiced) may be seen at http://www.youtube.com/watch?v=qnGM0BlA95I 

In a practical sense, to sound angry, voicing or voiceless letters may be used as well as those that can be spit out venomously as the tongue hits the teeth, or your lips purse forward.  For example, if you say ‘what!’ you will hear the ‘t’ accent at the end.  If you say ‘bitch’ the lips purse, the ‘b’ has a strong accent and the ‘itch’ has force.

To my ears, words always sound like the emotion or feeling and a picture it generates. For example, love, heart, rain, puppy, pillow, plumage, sunshine.  Then there is bitch, witch, bomb, river, rock, crash.  Interestingly, these words were picked out of my head at random and they clearly show a mental picture of the softness and hardness of sounds. 

We don’t have to plan our words as we speak according to our thoughts and feelings and our speech almost flows without being thought directed.

There are occasions when we alter our speech patterns according to our environment.  Such as when we speak with people who have a hearing, or language problem, we tend to speak more slowly and clearly.  At a formal event we may speak more formally than we would at a football match.

The way I view the construction of languages, letters of the alphabet and the way they sound I see they all impact on the effectiveness of our communication skills.  Think while you are speaking, slow down, enjoy the vowels rolling around and the crispness of consonants and enjoy what you hear. If you enjoy it, others will as well. Language is beautiful.

Conclusion

This Verde Word and the journey of Shaping Language was a short overview on a number of topics that are extensive, lengthy and interesting. I hope you have gained some insight to ways you can use speech differently as well as whetting your mind to find out more.

Shaping Language shows that as humans come from many different cultures, societies and backgrounds, we are all linked by languages that are closer than we realise.  Thus, although at times we may find communication and language difficult, we all speak with a similar voice, the voice of humanity.


Verde



*Photo by Kai Quinlan, Cuneiform 2000-2012 West Semitic Research Project, University of Southern California Archaeological Research Collection.